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Press Images: Gravity’s Edge

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Lynda Benglis, Corner Piece, 1969. © Lynda Benglis/Licensed by VAGA, New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Helen Frankenthaler, Indian Summer, 1967. © Estate of Helen Frankenthaler/Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Kenneth Noland, Dusk, 1963. © Estate of Kenneth Noland/Licensed by VAGA, New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Kenneth Noland, Rich Rhythm, 1978. © Estate of Kenneth Noland/Licensed by VAGA, New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Lee Stalsworth


Morris Louis, Buskin, 1959. © Estate of Morris Louis. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Morris Louis, Delta Theta, 1961. © Estate of Morris Louis. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Morris Louis, Gamma Pi, 1960. © Estate of Morris Louis. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Paul Jenkins, Phenomena Reverse Spell, 1963. © Estate of Paul Jenkins/Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Paul Jenkins, Phenomena Tibetan Banner, 1973. © Estate of Paul Jenkins/Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Paul Jenkins, Phenomena Heart of the Matter, 1972. © Estate of Paul Jenkins/Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Lee Stalsworth


Paul Jenkins, Phenomena Voyager, 1972. © Estate of Paul Jenkins/Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Lee Stalsworth


Sam Francis, Untitled (Mako’s Rain), 1965. © Estate of Sam Francis/Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Lee Stalsworth


Sam Francis, Blue Balls, 1962. © Estate of Sam Francis/Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Sam Francis, Untitled, 1967. © Estate of Sam Francis/Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Cathy Carver


Anne Truitt, Night Naiad, 1977. © Estate of Anne Truitt. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Lee Stalsworth


Anne Truitt, Night Naiad, 1977. © Estate of Anne Truitt. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. Photo: Lee Stalsworth


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: works by Morris Louis, Helen Frankenthaler, Kenneth Noland, Morris Louis, and Morris Louis. Photo: Cathy Carver


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: works by Paul Jenkins, Paul Jenkins, Sam Francis, Sam Francis, Paul Jenkins, and Paul Jenkins. Photo: Cathy Carver


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: works by Paul Jenkins, Lynda Benglis, Anne Truitt, Sam Francis, and Morris Louis. Photo: Cathy Carver


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: Anne Truitt, Night Naiad, 1977 and Kenneth Noland, Rich Rhythm, 1978. Photo: Cathy Carver


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: Sam Francis, Untitled (Mako’s Rain), 1965 and Sam Francis, Blue Balls, 1962. Photo: Cathy Carver


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: Helen Frankenthaler, Indian Summer, 1967 and Kenneth Noland, Dusk, 1963. Photo: Cathy Carver


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: Lynda Benglis, Corner Piece, 1969 and Sam Francis, Untitled, 1967. Photo: Cathy Carver


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: Anne Truitt, Night Naiad, 1977 and Lynda Benglis, Corner Piece, 1969. Photo: Cathy Carver


Installation view of Gravity’s Edge at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2014. Left to right: Sam Francis, Blue Balls, 1962; Paul Jenkins, Phenomena Reverse Spell, 1963; and Paul Jenkins, Phenomena Tibetan Banner, 1973. Photo: Cathy Carver

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